![jordan peterson the passion of christ movie jordan peterson the passion of christ movie](https://i.ytimg.com/vi/uK3ZlsPugHc/maxresdefault.jpg)
![jordan peterson the passion of christ movie jordan peterson the passion of christ movie](https://www.wordonfire.org/wp-content/uploads/2020/06/B_F_SacredHeart.jpg)
But in that I appear to be in a minority because they remain phenomenally popular, especially in airport bookshops. Recommended.Share on Facebook Share on Twitter Pin it Maciak expertly argues for modernity making miracles rational. Brent Plate, author of Religion and Film: Cinema and the Re-Creation of the World Maciak alters the ongoing conversation on secularization for the present day. Peter Coviello, author of Make Yourselves Gods: Mormons and the Unfinished Business of American Secularism The Disappearing Christ retells the story of secularization, firmly placing visual media within that narrative. In its attention to cinematic form, to aesthetic and intellectual history, and to the shifting terrains of religiosity, The Disappearing Christ is a fine achievement. With great agility and persuasive writerly verve, Maciak brings the conceptual idioms of postsecular critique to bear on the aesthetics of early cinema. Allyson Nadia Field, author of Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity
![jordan peterson the passion of christ movie jordan peterson the passion of christ movie](https://i.ytimg.com/vi/Z4yOfk6IHGc/maxresdefault.jpg)
With keen attention to matters of form and sensitivity to historical discourses of faith, spectatorship, and modernity, The Disappearing Christ changes our understanding of film history and theory by excavating the forgotten yet crucial dynamic of religion and secularism so central to early cinema and its world. In developing the idea of an aesthetics of “spectacular realism,” Phillip Maciak offers an indispensable account of early cinema’s imbrication with secularization in the United States. Josef Sorett, author of Spirit in the Dark: A Religious History of Racial Aesthetics In doing so, Maciak opens up exciting new space in the study of the secular.
![jordan peterson the passion of christ movie jordan peterson the passion of christ movie](https://miro.medium.com/max/1400/1*011qCKPcr6NrUOk7WQeyJQ.jpeg)
#JORDAN PETERSON THE PASSION OF CHRIST MOVIE ARCHIVE#
Studying these films alongside a multimedia, interdisciplinary archive of novels, photographs, illustrations, and works of theology, travel writing, and historiography, The Disappearing Christ offers a new narrative of American cultural history at the intersection of cinema studies and religious studies.Ĭlearly written and carefully argued, The Disappearing Christ offers an insightful reading of secularism-and rightly of both religion and race-in American film and visual culture. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizing society. Negotiating between the magic trick and the documentary image, the conflicting impulses of faith and skepticism, the emerging aesthetic of film in this period visualized the fraught process of secularization. Why, in an era traditionally defined by the triumph of secular ideologies and institutions, were so many artists rushing to film Christ’s miracles and use his story and image to contextualize their experiences of modernity? In The Disappearing Christ, Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Du Bois’s “Black Christ” story cycle, Jesus was constantly and inventively visualized across media, and especially in the new medium of film. Griffith’s conjuration of a spectral white savior in Birth of a Nation to W. From the modernized eyewitness gospel of Ben-Hur to the widely circulated passion play films of Edison, Lumière, and Pathé from D. At the turn of the twentieth century, American popular culture was booming with opportunities to see Jesus Christ.